Manas Dasgupta
NEW DELHI, Aug 23: Afghanistan’s only school of music, the Afghanistan National Institute of Music in Kabul, has fallen silent after the Taliban take-over of the nation. Its founder is away in Australia and its students and faculty have gone underground hiding from the gun-trotting Taliban militants fearing reprisals.
The country’s radio and TV stations have also stopped broadcasting music, except for some Islamic verses, media reports said.
Taliban don’t like music, think it “sinful” and in the Taliban domain music is a strict “no” except for some Islamic religious verses. It destroys all musical instruments and if they can lay their hands on, punish the musicians.
A few years after the Taliban were ousted in 2001 and though Afghanistan was still in ruins, Ahmad Sarmast had left his home in Melbourne, Australia, on a mission: to revive music in the country of his birth.
Sarmast, 58, the son of a famous Afghan composer and conductor, had sought asylum in Australia in the 90s, a time of civil war in Afghanistan. In 1996, the Taliban swept into power. The ultra-religious movement banned music as sinful, with the sole exception being some religious vocal pieces. Cassette tapes were ripped apart and strung from trees.
But after the US-led invasion toppled the Islamists, Sarmast dreamed of renewal. After obtaining a doctorate in musicology, he returned to Afghanistan and in 2010 founded the Afghanistan National Institute of Music.
The school he founded was a unique experiment in inclusiveness for the war-ravaged nation with orphans and street kids in the student body, it sought to bring a measure of joy back to Kabul. The Taliban had notoriously banned music.
Donations from foreign governments and private sponsors soon poured in. The World Bank gave a cash grant of two million dollars. Almost five tons of musical equipment violins, pianos, guitars and oboes were trucked in, a gift from the German government and the German Society of Music Merchants. Students learned to play traditional Afghan string instruments like the rubah, sitar and sarod. The tabla was among the most favourites.
It had just started growing into an internationally-reputed musical institution with 350 students and 90 faculty, many of whom have already gone into hiding. Reports of Taliban searching for adversaries door-to-door have fanned their worries.
Last week, Sarmast watched in horror from his home in Melbourne images of the Taliban taking over the Afghan capital, capping a lightning offensive that restored the religious militia to power and stunned the world.
“I’m heartbroken”, Sarmast said. “It was so unexpected and so unpredictable that it was like an explosion, and everyone was caught by surprise,” he said of the Taliban takeover.
Sarmast had left Kabul on July 12 for his summer holiday, never imagining that just few weeks later the whole project and everything he’d worked for the past 20 years would be endangered. He’s terrified for his students and faculty members. “We are all very, very fearful about the future of music, we are very fearful about our girls, about our faculty,” he said. In a sign of what the future holds, radio and TV stations stopped broadcasting music, except for Islamic songs though it was not clear if the change in programming was a result of Taliban edicts or an effort by the stations to avoid potential problems with the insurgents.
“It was such an amazing school, a happy place. Everything was perfect”, said Elham Fanous, 24, who was the first student to graduate from the music institute in 2014. “It changed my life and I really owe it to them”, he said of the school, which he describes as Afghanistan’s LaGuardia, a public high school in New York specialized in teaching music and arts. A visitor once called it “Afghanistan’s happy place.”
“I cannot believe this is happening, Fanous added, speaking from New York, where he recently received his masters degree in piano from the Manhattan School of Music. He was also the first student from Afghanistan to be admitted to a US university music programme.
The institute’s musicians traveled all over the world to represent their country, presenting a different face for a place known in the West only for war and extremism. Fanous himself performed at concerts in Poland, Italy and Germany.
In 2013, the institutes youth orchestra embarked on its first US tour, appearing at the Kennedy Center and selling out Carnegie Hall. Members of the orchestra included a girl who not long before had sold chewing gum on the streets of Kabul. An all-female orchestra called Zohra, named after a goddess of music in Persian literature, was set up in 2015.
In 2014, Sarmast was attending a concert in the auditorium of a French-run high school in Kabul when a huge bomb went off. He partially lost hearing in one ear and has had numerous operations to remove shrapnel from the back of his head since. The Taliban claimed responsibility for the attack accusing him in a statement of “corrupting Afghanistan’s youth.”
“We’re all shattered, because my kids, they’ve been dreaming. They had huge dreams to be on the biggest stage of the world”, Sarmast said. “All my students had been dreaming of a peaceful Afghanistan. But that peaceful Afghanistan is fading away.” Still, he hangs on to hope, believing young Afghans will resist. He is also counting on the international artistic community to put up a fight for the Afghans’ right to music.